I haven’t been to a Twyford Drama production for many years but having seen their super production of Noel Coward’s Blithe Spirit, I shall be going again!
Even before the play began, I was impressed by the set. I was pleased to read in the programme that the ‘behind the scenes’ team were given a mention. All credit to set designer Gavin Robinson and the many people involved in the construction and painting. The play takes place in the living room of the Condomines’ home in Kent in the 1930s.
The play begins when Charles (Marc Reid) and his wife Ruth (Kirsty Miall) invite guests over for dinner and to meet Madame Arcati (Sandra Miall) for a séance. To say, they get more than they bargained for, is an understatement.
I have seen a production of Blithe Spirit before and knew I’d enjoyed it but what I’d forgotten was just how funny it is. There were so many laugh-out-loud moments largely due to Noel Coward’s wit but also because of the superb standard of actors. They all delivered their lines naturally and with the ease of professionals.
Not surprisingly, Madame Arcati played by Sandra Miall stole the show. She was clearly enjoying every moment of it. Interestingly, her daughter Kirsty Miall played the part of Ruth, and with great confidence. Her grandma had also taken this part back in 1977, which made it a real family affair.
Elvira (Caroline Rose-Newport) was a very playful first wife with a mischievous streak. She was quite mesmerising to watch, as I tried to work out whether she was a victim or the perpetrator.
Edith the maid was played beautifully by Ann Croft and although it’s a small role, she performed it so well, her part will be remembered despite her being very much in the background. It’s her first performance with Twyford Drama but I’m sure it won’t be her last.
Peter King played the part of Doctor Bradman. He has a great voice and stage presence while Mrs Bradman (Viv Williamson) is very much in his shadow. I was surprised to discover this was her first real experience of acting because she too was a natural.
I must say a word or two about the costumes which fitted in with the 1930s theme perfectly. Madame Arcati was colourful and loud whilst also being very practical, just like her character. Ruth and Mrs Bradman had a quiet elegance worthy of their standing in society, as did their husbands. The spirits were very cleverly made up in terms of their attire and stage make-up. At times they shimmered in a fascinating way under the stage lighting. Although there were similarities in their apparel they were portrayed as differently as their characters.
Finally, without giving too much away, there was a good sprinkling of special effects, adding to the whole merriment of such a clever and amusing evening’s entertainment. I look forward to their next production.
Review by Sarah Swatridge
