Aldworth Philharmonic call themselves ‘Reading’s most innovative orchestra’ and delight in presenting new and lesser-known works, as well as much-loved favourites, writes Judith Creighton. This evening’s concert was no exception.

Featuring two works by contemporary composer Max Charles Davies, one of them a world premiere, together with Carl Nielsen’s flute concerto and Tchaikovsky’s 1st Symphony, there was something to suit different tastes.

Davies’ Tiny Symphony is, as the name suggests, a very short symphony – six minutes in total – yet including the traditional four movements. This work was dissonant but not unpleasantly so, reminiscent of orchestral film music. It was a perfect choice to begin the concert.

The Nielson featured flautist Nicola Loten who amazed the audience with her sensitive, virtuosic playing. The flute held its own against the orchestra, only occasionally being overpowered, the beautiful rich tone of the flute often floating above the frenzy of the other instruments.

To the pleasure of many in the balcony, the performance was accompanied by some interpretive dancing from a young aspiring ballerina, who was obviously enjoying the music immensely.

Davies’ premiere The Way of Things is described by the composer as ‘a commentary on human nature’ but also linked to the history of Reading, from its initial settlement to present day. It was fascinating to hear such topics as war, industry, peace and reconciliation being portrayed in music – the battle scenes most vividly.

The guest flautist was called on to play the opening, soaring flute solo. Coming directly after the concerto it seemed a fitting encore and another chance to appreciate her talent.

Tchaikovsky’s Symphony number 1 Winter Daydreams was a good choice for the second half. The orchestra relished this romantic work and the passages where each section had a chance to shine.

Conductor Andrew Taylor, as usual, brought out the best in the musicians, communicating every detail. This symphony is strongly patriotic and the passion required shone through. The final movement, full of energy, brought the evening to a climatic finish.

One of the aims of APO is to make classical music approachable. Their ‘concert virgins’ scheme give free tickets to those who have never experienced live orchestral music before and there were many such people in attendance.

The next APO concert is on Saturday, March 25 at Reading Blue Coat School in Sonning where they shall be performing Elgar’s Cello Concerto and Schumann’s Symphony number 4.

This concert last year was a sell-out so book early to avoid disappointment.

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